Digital Art Impermanence: Standardized Cataloging as Preservation
Link to Project: Research Paper
Project Description: In the Knowledge Organization course taught by Cristina Pattuelli, I was assigned a research paper exploring any topic within born digital collections. I decided to write my paper on the process of documenting, preserving, and conserving digital artworks among private collectors and institutions. Digital artworks are a relatively new format when compared to more traditional mediums like painting and sculpture. Because of the novelty and ever-evolving nature of digital works, an industry-wide standardized cataloging system has not yet been developed. Archivists, collection managers, and conservators are continuously working to establish standards and streamline the documentation process. My research focuses on the many challenges presented, and how the development of an industry-wide standardized cataloging system would greatly improve the preservation of digital works.
Methods: Digital art preservation is an emerging field, and there is not necessarily an authority voice on the topic. My research involved identifying the pre-eminent conferences on digital art preservation and watching recorded presentations from recent events. I also reviewed many case studies of digital art preservation projects, and closely evaluated the most notable existing cataloging standards that are presently being used in the field.
My role: I am the sole creator of this work.
Learning outcome achieved: Ethical • Creative • Critical
Rationale: This research paper demonstrates my ability to identify a gap in the field of information science. I show my understanding of the relationship between quality documentation and preservation by advocating for a more standardized approach. My research shows a forward-thinking perspective by examining the challenges we face today, and considering how those challenges may proliferate over time.